One of the BBC's '100 Novels That Shaped Our World'

'Rhys took one of the works of genius of the 19th Century and turned it inside-out to create one of the works of genius of the 20th Century' Michele Roberts

Jean Rhys's masterpiece tells the story of Jane Eyre's 'madwoman in the attic', Bertha Rochester.

Born into the oppressive, colonialist society of 1930s Jamaica, white Creole heiress Antoinette Cosway meets a young Englishman who is drawn to her innocent beauty and sensuality. After their marriage, however, disturbing rumours begin to circulate which poison her husband against her. Caught between his demands and her own precarious sense of belonging, Antoinette is inexorably driven towards madness, and her husband into the arms of another novel's heroine. This classic study of betrayal, a seminal work of postcolonial literature, is Jean Rhys's brief, beautiful masterpiece.

Edited with an introduction and notes by Angela Smith

In Japanese, the word for widow – a woman who has outlived her husband – literally translates as ‘she who has not yet died.’ For millennia, widows have lived on the margins of society: banished to the wilderness, silenced, and shrouded in black or white. Across cultures, laws and local customs have maligned them as witches, dependants or objects of pity.

In some traditions, widows are expected to remarry within the husband’s family, or even – in extreme cases – commit self-immolation – expectations not placed on men. Yet widowhood has also brought unexpected freedoms: financial, social and sexual autonomy denied to married women. In medieval Europe, widows owned property and ran businesses; in India’s Maratha courts, they wielded political influence long before married women could.

Drawing on sources from Ancient Egypt and Greece to Africa, the Americas and beyond, cultural historian Mineke Schipper explores widowhood as both oppression and liberation. Widows reveals one of feminism’s last great taboos, and the story of women the world has long refused to see.