Christian Dior: The Illustrated World of a Fashion Master is a stunning illustrated biography of legendary designer Christian Dior from internationally renowned fashion illustrator Megan Hess.

Discover the key moments of Dior's fascinating life and iconic items from the fashion world that he created. Dior's love of flowers, creativity, femininity and good-luck charms were woven into everything he designed, and his New Look remains iconic to this day.

Elegantly enclosed by a hardback cover and ribbon, Megan's beautiful illustrations follow Dior through three distinct chapters: the highs and lows of his early life, set against a backdrop of bohemian and wartime Paris; the couture house that he built into an empire in just ten years; and the incredible legacy he left behind for one of fashion's most influential brands.

Christian Dior is a celebration of a man whose life was as remarkable as the clothes that he created, brought to life on the page by the expert hand of Megan Hess.

A powerful, candid, and richly detailed memoir from an American icon, revealing what life looks like after the presidency: triumphs, tribulations, and all.

On 20th January 2001, after nearly thirty years in politics — eight of them as President of the United States — Bill Clinton was suddenly a private citizen. Only fifty-four years old, full of energy and ideas, he wanted to make meaningful use of his skills, his relationships with world leaders, and all he’d learned in a lifetime of politics, but how? Just days after leaving the White House, the call came to aid victims of a devastating earthquake in India, and Clinton hit the ground running. Over the next two decades, he would create an enduring legacy of public service and advocacy work, from Indonesia to Louisiana, Northern Ireland to South Africa, and in the process reimagine philanthropy and redefine the impact a former president could have on the world.

Citizen is Clinton’s front-row, first-person chronicle of his post-presidential years and the most significant events of the twenty-first century, including 9/11 and the runup to the Iraq War, the Haiti earthquake, the Great Recession, COVID-19, the January 6th insurrection, and the enduring culture wars of our times. Yet Citizen is more than a presidential memoir. These pages capture Clinton in a rare and unforgettable light: not only as celebrated former president and foundation leader, but also as a father, grandfather, and husband. He shares his support for Hillary Clinton during her tenure as senator, secretary of state, and presidential candidate, and openly details the frustration and pain of the 2016 election.

With clarity and compassion, President Clinton also weighs in on the unprecedented challenges brought on by a global pandemic, ongoing inequality, a steadily warming planet, and authoritarian forces dedicated to weakening democracy. In this landmark publication, the highly anticipated follow-up to the best-selling My Life, Clinton pens a clear-sighted account of American democracy on a global stage, offering a frank reflection on the past and, with it, a fearless embrace of our future. Citizen is a testament to one man’s unwavering commitment to family and nation, a self-portrait of equal parts eloquence, insight, and candor.

As exhilarating as a lungful of oxygen: that's how some of his contemporaries felt about John Constable’s paintings. Others, though, were baffled by his uncompromisingly fresh and realistic treatment of the natural world. Author Susan Owens follows Constable's work and life through the seasons, tracing the rhythms and resonances of the artist's year to offer a vivid, unconventional perspective on this beloved figure.

Whether in London in May, preparing pictures for exhibition and longing for the Suffolk spring, or painting boatbuilders and waiting to be married in a particularly gloomy September, Constable's life and work were unusually shaped by the yearly cycles of weather and agriculture, as well as by the often competing demands of the art world. Raised in Suffolk, England, and trained to manage his father's land, his rural background had an enduring impact on his painting. His was the approach of one who knew the lanes, ploughs, and millponds he painted intimately, and who understood the countryside as a place of both labor and natural phenomena.

Though today he is often considered a traditional artist, in truth John Constable (1776–1837) was a radical in his own time. His sketchbooks and paintings reject secondhand, slipshod versions of nature, instead subjecting the land, its people, and industry to intense scrutiny; developing a new kind of painting to fit the landscape he saw with his farmer's eye and felt beneath the soles of his boots.