LONGLISTED FOR THE INTERNATIONAL BOOKER PRIZE 2026

SHORTLISTED FOR THE NBCC GREGG BARRIOS BOOK IN TRANSLATION PRIZE

In seventeenth-century Denmark, Christenze Kruckow, an unmarried noblewoman, is accused of witchcraft. She and several other women are rumored to be possessed by the Devil, who has come to them in the form of a tall headless man who gives them dark powers: they can steal people's happiness, they have performed unchristian acts, and they can cause pestilence or death. They are all in danger of the stake.

The Wax Child, narrated by a wax doll created by Christenze Kruckow, is an unsettling horror story about brutality and power, nature and witchcraft, set in the fragile communities of premodern Europe.

Deeply researched and steeped in visceral, atmospheric detail, The Wax Child is based on a series of real witchcraft trials that took place in Northern Jutland in the seventeenth century. Full of lush storytelling and alarmingly rich imagination, Olga Ravn also weaves in quotes from original sources such as letters, magical spells and manuals, court documents, and Scandinavian grimoires.

**LONGLISTED FOR THE INTERNATIONAL BOOKER PRIZE 2026**

**Winner of the National Book Award for Translated Literature**

A sumptuous and surreal historical reimagining of one of South America’s best-known trans men, Antonio de Erauso

'Playful and devastating, tender and enraging' INTERNATIONAL BOOKER JUDGES, 2026

'Luminous' SAMANTA SCHWEBLIN

‘Bold and compassionate’ Financial Times

From deep in the wilds of the New World, Antonio de Erauso writes a letter to his aunt, the prioress of the convent he escaped as a young girl. Since leaving his past behind, he’s become Antonio, conquistador. Now, hiding in the jungle and hounded by the army he deserted, Antonio is caring for two Guaraní girls he rescued from enslavement. But the New World has one more metamorphosis in store, which might save them all from extinction.

Tender and surreal, We Are Green and Trembling conveys glimmers of hope for the future within the brutal colonial history of Latin America, finding in the rainforest a magical space for transformation.

'Profoundly resonant… the power of storytelling to reclaim what history tries to erase’ Chicago Review of Books

‘Sensuous and searing – a queer anticolonial picaresque’ Publishers Weekly

‘Gabriela Cabezón Cámara’s writing is singular in the Spanish language’ FERNANDA MELCHOR

Translated by Robin Myers