'A brilliant book by one of the best culture writers in the UK' MIRANDA SAWYER
'A thrilling, immersive journey' ★★★★ RECORD COLLECTOR

Spanning seven decades and with over 150 new interviews, including Richard Hawley, Arctic Monkeys, Self Esteem, ABC, Pulp, Def Leppard, The Human League, Toddla T, Cabaret Voltaire, Warp Records, Clock DVA, Heaven 17 and many more

From dazzling electronic futurism to pioneering post-punk, via pop, metal, bassline, bleep techno and generation-defining indie rock, Sheffield has long been a crucible for world-leading music.

Some artists have excelled on the fringes, others have achieved global success, but all remain connected through a fervently independent ethos. In Sheffield, creativity flourished in the face of isolation, economic decline and bleak political circumstances, resulting in some of Britain's most groundbreaking and singular music. But the region's ingrained humility and dogged stoicism means it has never been documented or celebrated to the level of more hubristic cities.

In Groovy, Laidback and Nasty, acclaimed Sheffield journalist Daniel Dylan Wray sets out to remedy this, telling the story of the city's DIY spirit and the musical visionaries and innovators who helped build its inimitable legacy.

Both a compelling cultural study and an unapologetic love letter to the city, this - finally - is the definitive musical history Sheffield so richly deserves.

'Questlove radiates passion, knowledge, wit and profundity as he reflects on this ever-evolving art form' GUARDIAN

For a young Black kid growing up in a musical family in 1970s Philadelphia, hip-hop was everything. He stayed up late to hear the newest songs on the radio. He saved his money to buy vinyl as soon as it landed. He even started to make his own songs. That kid was Ahmir 'Questlove' Thompson.

Now, in this landmark book, Questlove traces the creative, cultural forces that made and shaped hip-hop, highlighting the forgotten influential gems and the chart-topping hits - and weaves it all together with the stories no one else knows. It is at once an intimate, sharply observed story and a sweeping theory of the evolution of the greatest artistic movement of our time. Questlove approaches it with both the encyclopaedic fluency of an obsessive fan and the unique expertise of an innovative participant.

Hip-hop is history, and also his history.