This new, image-led history of global digital art from the 1960s to the present day draws on the V&A's rich collection while linking the digital art scene to wider art and design histories, and to their social, political, and technological contexts. Decade-by-decade essays by leading authorities explore evolving digital art practices, and a series of interviews and discussions with prominent artists, gallerists, museum curators, and collectors from the world of digital art offer fascinating insights into the subject.

Digital Art: 1960s to Now explores ideas of artificial intelligence, computer animation, simulation, and cybernetics. Global in reach, it features historic works from pioneering artists such as Analivia Cordeiro, Eduardo Mac Entyre, Manfred Mohr, Vera Molnar, and Frieder Nake, alongside renowned contemporary artists such as Danielle Brathwaite-Shirley, Harm van den Dorpel, Trevor Paglen, Anna Ridler, and Nye Thompson.

Renowned art historian Gary Schwartz offers a fresh and contemporary perspective on seventeenth-century Dutch painting, one of the most significant movements in European art. This engaging and authoritative guide brings together a range of notable paintings from leading museum collections to explore the work of well-known masters such as Rembrandt van Rijn, Judith Leyster, and Johannes Vermeer, as well as artists that readers may be discovering for the first time, such as Adriaen van de Velde and Gesina ter Borch.

In nine chapters, the book delves into patronage and the art market; the reception and study of Dutch painting; gender and race; painters working in Europe, Asia, and beyond; as well as issues of attribution. Covering a broad range of subjects and styles, Dutch Painting examines the full spectrum of seventeenth-century European painters, offering a comprehensive overview of Dutch painting both in its historical context and through a contemporary lens with up-to-date and insightful analysis.

What was the "Renaissance"? In the nineteenth century this flowering of creativity and thought was celebrated as the birth of the modern world. Today many historians are sceptical about its very existence. Earthly Delights rekindles the Renaissance as a seismic change in European mentalities, in a panoramic history that encompasses Florence and Bruges, London and Nuremberg. Artists from northern as well as southern Europe, including Leonardo, Bosch, Bruegel, and Titian, star in a captivating and beautifully illustrated narrative that sets their lives against a period of convulsive change across a continent that was finding itself as it "discovered" the world.

Art critic and writer Jonathan Jones tells the story of Renaissance artists as pioneers, adventurers and "geniuses," a Renaissance concept. Albrecht Dürer gazes with wonder on Aztec art in Brussels in 1520, Leonardo da Vinci tries to perfect a flying machine, Hieronymus Bosch finds inspiration in West African ivory carvings imported by the Portuguese to Antwerp. A then unknown Netherlandish painter, Pieter Bruegel, arrives in 1550s Rome just as Michelangelo is striving in the same city to raise the new St Peter’s Basilica towards heaven. From Atlantic voyages to Germanic woods, Italian palazzi to the royal castle of Prague, this was an age when people dared to experiment with the occult and dabble in utopias: to think and create new worlds.

The work of Edward Bawden (1903–1989), a painter, printmaker, illustrator, and designer, brims with lively, affectionate, and entertaining accounts of English life. Bawden’s subjects include classic London scenes, such as St. Paul’s Cathedral, the Tower of London, Liverpool Street station, the Queen’s Guards at Buckingham Palace, as well as charming rural scenes with churches, country houses, cottages, gardens, markets, parks, piers, pubs, and steam trains. He created murals, designed tiles and wallpapers, and was regularly commissioned to deploy his vivacious humor in advertisements, posters, book jackets, and brochures. It was England, with its quiet landscapes, its pleasures and pastimes, and its time-honored trades and traditions, that was the source of some of Bawden’s finest work.

This beautifully designed book begins with a brief introduction before exploring examples of Bawden’s work, with each illustration accompanied by an extended caption revealing the artistic vision of this quintessentially English artist.

Expressionist artists believed in art's ability to communicate emotion, irrespective of any representational or narrative content. In this comprehensive introduction to one of the most radical artistic movements of our time, writer, artist, curator, and educator Colin Rhodes traces the thread of expressionist thought from the nineteenth century to the present day, mapping its various manifestations across Europe and the US, as well as parts of Africa, Asia, and South America.

By paying particular attention to nuanced issues of gender, sexuality, and cultural appropriation, Rhodes challenges the received art-historical narrative and reassesses it in the context of broader twentieth- and twenty-first-century artistic practice. Generously illustrated, the diverse selection of artists featured in this book range from Wassily Kandinsky, Erma Bossi, Francis Bacon, and Mark Rothko to Ursula Schultze-Bluhm, Gillian Ayres, Purvis Young, and Jadé Fadojutimi.