A glorious publication on the "saintly and excellent" Florentine friar and painter whose religious scenes exemplify Renaissance theories of perspective and humanism

After exploring the language of Gothic painting, the great Tuscan artist Fra Angelico enthusiastically took up the new principles of Renaissance art then emerging in Florence. This volume offers a thorough exploration of the extraordinary talent of this artist, bringing out his capacity for artistic innovation in the service of deep spiritual values.
The book also provides a comprehensive assessment of the current state of research on Angelico. Its scholarly significance is further reinforced by the unprecedented reunion of five altarpieces that have been dismantled over the centuries: the San Piero Martire Altarpiece, the San Domenico Altarpiece in Fiesole, the Compagnia di San Francesco Altarpiece in Santa Croce, the San Marco Altarpiece and the Perugia Altarpiece. While the main panels have stayed in Italy, the remaining elements are dispersed across museum collections worldwide. The volume includes critical essays, a study of the history of the Museum of San Marco and an analysis of Angelico's frescoes preserved in the Sala del Capitolo, the cloisters and the monastic cells. This is a definitive and indispensable work of reference on the artist.
Born in Vicchio di Mugello as Guido di Pietro, Fra Angelico (c. 1395–1455) joined the Dominican order as a mendicant friar. He painted several frescoes for the Convent of San Marco in Florence, including the Annunciation, and decorated Cosimo de Medici's personal room in the monastery. In his later years he was called to Rome to decorate chapels for Pope Eugene IV and then Pope Nicholas V. Of his life, Giorgio Vasari wrote: "it is impossible to bestow too much praise on this holy father, who was so humble and modest in all that he did and said and whose pictures were painted with such facility and piety."

A new look at a vanguard modernist artist who reimagined the still life, landscape and portrait genres

This landmark publication coincides with the major Guggenheim New York exhibition of works by the remarkable German Expressionist Gabriele Münter. Münter’s painting practice between 1908 and 1920 is the central focus of the exhibition and accompanying book. The study also illuminates her lesser-known later work and includes significant examples of her photography taken during earlier extensive travels in the United States. Münter was notably a cofounder of Der Blaue Reiter (The Blue Rider), a loose and transnational confederation of progressive artists and other creatives, with whom she probed the expressive potential of color and the symbolic resonance of forms. Her introspective portraits during World War II capture the “new woman” and explore questions of gender identity.
Highlighting more than 90 paintings, drawings and photographs, this publication not only traces Münter’s pioneering and understudied practice but also challenges accepted historical narratives that have tended to sideline women artists. Reproductions of archival material appear alongside choice selections of the artist's sketches, prints and reverse glass paintings. Thematic texts by renowned scholars explore identity, place, belonging and the embodied experience of modernist women artists during this period.
Gabriele Münter (1877–1962) was at the forefront of the German avant-garde in the early 20th century and exhibited extensively at galleries and salons throughout Europe during her lifetime. Along with her artistic colleague and one-time partner, Vasily Kandinsky, Münter was a founder of the influential Expressionist group of artists, Der Blaue Reiter.

Gainsborough is one of the most appealing artists of the eighteenth century. Renowned for such elegant portraits as The Blue Boy and Countess Howe, he also pioneered a new form of landscape with a moody sensibility that prefigured the Romantic movement. He was a brilliant draftsman, and his art is full of inventiveness and visual delight.

William Vaughan draws on recently discovered material to provide a fresh perspective on both the life and art of this master. He shows how closely Gainsborough's innovative manner can be connected to social and political developments in Britain, in particular the celebration of original genius in a time of burgeoning entrepreneurial commercialism. Above all, he demonstrates how, beneath the artist’s charm, there lay a bedrock of shrewd observation and pictorial intelligence that gives his work a value for all time.

Artist Paul Gauguin achieved a high public profile during his lifetime and was one of the first artists of his generation to achieve international recognition. But his prominence has always been tangled up with the dramatic and problematic events of his life—his self-imposed exile on a remote South Sea island and his turbulent relationships with his peers—as with the appeal of his art.

In this revised and updated edition, art historian Belinda Thomson gives a comprehensive and accessible account of the life and work of one of the most complicated artists of the late nineteenth century. Gauguin’s painting, sculpture, prints, and ceramics are discussed in the light of his public persona, his relations with his contemporaries, his exhibitions, and their critical reception. His private world, beliefs, and aspirations emerge through his extensive cache of journals, letters, and other writings. Fully illustrated in color, and drawing on the new, more global conversation surrounding the artist, Gauguin is the definitive volume on this controversial and often contradictory figure.

Global Art introduces some of the most significant art movements of the twentieth and early twenty-first centuries that have challenged the status quo. Featuring fifty artistic developments from every continent, this volume covers movements born of decolonization, marginalization, and conflict. Ranging from the Saqqakhaneh artists of Iran to the Stridentists of Mexico, Experimental Workshop of Japan to America’s AfriCOBRA, it chronicles groups that have empowered and given voice to their members.

Packed with bold and illuminating illustrations, the book demonstrates the distinct but connected roles of global movements in creating cross-cultural dialogues in today’s art world. Journalist Jessica Lack provides historical context for each art movement, key cultural events, and interconnections, bringing to life the protagonists in each movement’s evolution.