A richly illustrated look at the intersection of art and science in Renaissance Europe

Art played a pivotal role in the development of natural history during the sixteenth and seventeenth centuries. European colonial expansion enabled naturalists to study previously unknown insects, animals, and other beestjes—“little beasts”—from around the globe. Little Beasts explores how artists such as Joris Hoefnagel and Jan van Kessel helped deepen and spread knowledge of these creatures with highly detailed and playful works that inspired generations of printmakers, painters, decorative artists, and naturalists.

This appealing book begins by mapping the origins of natural history as a discipline, showing how early illustrated treatises reflected a vibrant exchange between artists and naturalists that contributed to the growth of natural science and sparked public fascination with the animal kingdom. It shares insights into Hoefnagel’s engagement with contemporary natural history, as demonstrated in his Four Elements—a four-volume series of some three hundred watercolor miniatures of animals—and examines how intaglio printmaking enabled natural history studies to reach new audiences. The volume concludes with a discussion of Van Kessel’s small oil paintings, likely made for discerning collectors of both natural and artistic curiosities.

Blending lively and informative essays with beautiful illustrations, Little Beasts traces the connections between artists, naturalists, and collectors in an age of scientific discovery and broadening horizons, inviting readers to look with wonder at nature’s variety.

Published in association with the National Gallery of Art, Washington, DC

Exhibition Schedule
National Gallery of Art, Washington, DC
May 18–November 2, 2025

Beautifully illustrated with some of the world’s greatest pictures, from cave paintings and Roman mosaics to Picasso and Damien Hirst, this affordable guide explains the art of looking at and understanding pictures, equipping the reader with the vision and tools to approach any museum picture with confidence.

Looking at pictures can be an exciting or moving experience, but some pictures—often the most rewarding—require some explanation before they can be fully understood. Delving into the origins, designs, and themes of over one hundred pictures from different periods and places, this book illuminates the art of looking at—and talking about—pictures. Susan Woodford shows how one can read a picture by examining the formal and stylistic devices used by an artist, and she explores popular themes and subject matter, and the relationship of pictures to the societies that produced them.

This indispensable guide is supplemented by a glossary of key terms, ranging from art movements and technical terms to religious and classical terminology, to give readers all the information they need at their fingertips.