Pop Art epitomized the free spirit of the 1960s, blending carnival-like qualities with bold colors and monumental scale, but based on a tough, no-nonsense, no-refinement standard appropriate to its time. Renowned art critic and curator Lucy Lippard's classic, contemporaneous study enriches our understanding of this groundbreaking art movement.
Across three chapters, the author first outlines the phenomenon of Pop Art, its antecedents and related styles ranging from folk art, Surrealism and Dada as well as the work of key artists such as Robert Rauschenberg and Jasper Johns. She then focuses on Pop Art in New York, discussing key iconic figures including Claes Oldenburg, Jim Dine, Roy Lichtenstein, James Rosenquist, Andy Warhol, and Tom Wesselmann, who appropriated advertising, comics, and the conventions of commercial art and its specific techniques. Finally, Lippard provides an extensive overview of Pop Art's impact and evolution across Europe, particularly in France, Germany, Italy, and Canada, and so touches upon the work of Christo, Mimmo Rotella, and many others, including Niki de Saint Phalle and Joyce Weiland, whose work are now experiencing a resurgence of interest.
Published in association with a major survey of the work of the pioneering Belgian surrealist artist
René Magritte is renowned for his thought-provoking and enigmatic paintings that challenge perceptions of reality. His exploration of the subconscious and the juxtaposition of ordinary objects in surreal contexts have left an indelible mark on the art world, influencing generations of artists and thinkers. Magritte provides an engaging, accessible, and in-depth survey of the artist’s practice, giving insights into the evolution of his art. It features reproductions of more than one hundred artworks drawn from public and private collections alongside rarely seen archival materials, commercial work, and photography. The images are accompanied by four essays and a transcript of an interview originally recorded for Belgian television in 1965, which together offer nuanced perspectives on the aesthetic foundations of Magritte’s work while also considering the social and artistic context for his practice. An essay by curator Nicholas Chambers leads us through the arc of the exhibition, revealing the artist’s extraordinary capacity for innovation and reinvention. Other essays focus on the artist’s milieux during the formative 1920s, the reception and promotion of his art outside of Europe, and his remarkable use of humor. An extensive, illustrated chronology charts the artist’s life and career.
The work of Henri Matisse has been both a profound inspiration to his successors and a source of infinite enjoyment to all who love art. Yet the apparent spontaneity of his color and ease of imagery were the fruit of a lifetime’s arduous labor; the simplicity of his compositions the result of a formidable intelligence.
In this updated edition of Lawrence Gowing's 1985 study, he takes readers through Matisse’s career, assessing his influence on the art that has followed him, and looking closely at Matisse’s own achievements. The detailed discussion of individual works reveals the subtlety and complexity of one of the greatest masters of all time. From the modest realism of his first paintings to the grandeur of his gouaches cut out to create his signature masterpieces, this book follows Matisse’s artistic development through the decades. At the age of twenty, Matisse was employed as a lawyer’s clerk and he came to art relatively late, however, in the end, his artistic career would last sixty years.
Reproducing his art in full color, this book examines the works that defined his career and secured his legacy as an artist.
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